Published 01 March 2026 in Collaborations
Armature Magazine
Natural Synthesis in Practice
Uche Okeke, Title unknown, 1976, Painting (detail). © Uche Okeke Legacy (above)
Visually, it features a dominant warm orange field (suggestive of heat or light), with a large circular form in the upper left portion (the sun) and near the lower centre a small cluster of darker, more saturated tones (blues, greens, blacks) which may suggest landscape or abstract sign‑forms.
Uche Okeke, Bring with Ove (Early Birds Nimo), 1993, Painting (detail). © Uche Okeke Legacy
Uche Okeke coined the term Natural Synthesis to describe an approach that drew from Nigeria’s indigenous traditions - especially uli and nsibidi, while engaging modernist techniques and global dialogues. It was not a nostalgic return to the past, but a forward-looking philosophy: to carry cultural heritage into modern art, and to make African modernism as experimental and relevant as any global counterpart.